The world on the other side of the rift:  Kelewan, a land seething with political intrigue and deadly conspiracies.  Following the opulent panoply of Daughter Of The Empire and the dazzling pageantry of Servant Of The Empire comes the resounding conclusion to the Empire trilogy.

Besieged by spies and rival houses, stalked by a secret and merciless brotherhood of assassins, the brilliant Lady Mara of the Acoma faces the most deadly challenge she has ever known.  The fearsome Black Robes see Mara as the ultimate threat to their ancient power.  In search of allies who will join her against them, Mara must travel beyond civilization's borders and even into the hives of the alien cho-ja.  As those near and dear to her fall victim to many enemies, Mara cries out for vengeance.  Drawing on all of her courage and guile she prepares to fight her greatest battle of all—for her life, her home, and the Empire itself.

At the centre of the Intersolar Commonwealth universe is a massive black hole. This Void is not a natural artefact. Inside there is a strange universe where the laws of physics are very different to those we know. It is slowly consuming the other stars of the galactic core - one day it will have devoured the entire galaxy. It's AD 4000, and a human has started to dream of the wonderful existence of the Void. He has a following of millions of believers. They now wish to Pilgrimage to the Void to live the life they have been shown. Other starfaring species fear their migration will cause the Void to expand again. They are prepared to stop the Pilgrimage fleet no matter what the cost. The Pilgrimage begins...

In AD 2329, humanity has colonised over four hundred planets, all of them interlinked by wormholes. With Earth at its centre, the Intersolar Commonwealth now occupies a sphere of space approximately four hundred light years across. When an astronomer on the outermost world of Gralmond, observes a star 2000 light years distant - and then a neighbouring one - vanish, it is time for the Commonwealth to discover what happened to them. For what if their disappearance indicates some kind of galactic conflict? Since a conventional wormhole cannot be used to reach these vanished stars, for the first time humans need to build a faster-than-light starship, the Second Chance. But it arrives to find each 'vanished' star encased in a giant force field — and within one of them resides a massive alien civilisation.

This is space opera on an epic scale, with dozens of characters, hundreds of planets, universe-spanning plots, and settings that range from wooden huts and muddy villages to sentient starships and newborn suns. It's also the first part of a two-volume book that is itself the first book of a series. There's no question that there's a lot going on here (too much to even begin to detail the plot), but Hamilton handles it all with an ease reminiscent of E. E. "Doc" Smith. The best way to describe it: it's big, it's good, and luckily there's plenty more on the way.

This title is from one of the world's bestselling science fiction novelists. The Intersolar Commonwealth is in turmoil as the Living Dream's deadline for launching its Pilgrimage into the Void draws closer. Not only is the Ocisen Empire fleet fast approaching on a mission of genocide, but also an internecine war has broken out between the post-human factions over the destiny of humanity.Countering the various and increasingly desperate agents and factions is Paula Myo, a ruthlessly single-minded investigator, beset by foes from her distant past and colleagues of dubious allegiance...but she is fast losing a race against time.At the heart of all this is Edeard the Waterwalker, who once lived a long time ago deep inside the Void. He is the messiah of Living Dream, and visions of his life are shared by, and inspire billions of humans. It is his glorious, captivating story that is the driving force behind Living Dream's Pilgrimage, a force that is too strong to be thwarted. As Edeard nears his final victory the true nature of the Void is finally revealed.

A perennial loser, Hal Spacejock borrowed heavily to fund his intergalactic cargo business. His loyal customers evaporated after several highly publicised mishaps, and mounting bills have confined him to planet Lamira, a mining colony with the vibrant, up-and-coming economy of a rubbish tip.

Now the finance company is despatching heavies to all points of the compass, desperate to track Hal down and extract money and/or vital organs. Meanwhile, on a nearby planet, a wealthy businessman needs a freelance cargo pilot for a suicidal cargo mission. Ideally, he wants a desperate, debt-ridden loser . . .

Stranger in a Strange Land, winner of the 1962 Hugo Award, is the story of Valentine Michael Smith, born during, and the only survivor of, the first manned mission to Mars. Michael is raised by Martians, and he arrives on Earth as a true innocent: he has never seen a woman and has no knowledge of Earth's cultures or religions. But he brings turmoil with him, as he is the legal heir to an enormous financial empire, not to mention de facto owner of the planet Mars. With the irascible popular author Jubal Harshaw to protect him, Michael explores human morality and the meanings of love. He founds his own church, preaching free love and disseminating the psychic talents taught him by the Martians. Ultimately, he confronts the fate reserved for all messiahs.

The impact of Stranger in a Strange Land was considerable, leading many children of the 60's to set up households based on Michael's water-brother nests. Heinlein loved to pontificate through the mouths of his characters, so modern readers must be willing to overlook the occasional sour note ("Nine times out of ten, if a girl gets raped, it's partly her fault."). That aside, Stranger in a Strange Land is one of the master's best entertainments, provocative as he always loved to be. Can you grok it? —Brooks Peck

Nowadays, many companies buy software suites for their employee - and expect them to gain at least a working knowledge of all the applications bundled as part of the package. Microsoft Office 98 for Macintosh: Visual QuickStart Guide is the most cost-effective, relevant solution for these new users. As with all the Visual QuickStart Guides, the emphasis is on addressing average users' most common, pertinent need—not on trying to show every feature of every application. The three main applications included with Office 98 are Word 98, Excel 98, and PowerPoint 98. Outlook Express (an email and newsgroup reader) and Internet Explorer 4.0 (a browser) are also included.

Microsoft Office for Macintosh: Visual QuickStart Guide uses pictures and step-by-step procedures to teach how to use and integrate this Microsoft suite of Macintosh applications. The book is divided into three broad sections. In the preparatory chapters of the first part, readers learn basic Macintosh procedures and become familiar with the common techniques shared by all four Office applications. In the detailed chapters of the middle part, readers learn each Office application in depth. In the final part, readers find unique and useful tips and techniques for combining the strengths of the Office applications to solve common business needs.

Arguably the greatest collaboration in the whole history of comedy!

Bestselling author Douglas Adams wrote the storyline based on his CD-ROM game of the same name (as this novel, not as him, obviously).

Terry Jones of Monty Python wrote the book. In the nude! Parents be warned! Most of the words in this book were written by a naked man!

So. You want to argue with that? All right, we give in.

Starship Titanic is the greatest, most fabulous, most technologically advanced interstellar cruise line ever built. It is like a cross between the Queen Mary, the Chrysler Building, Tutankhamen's tomb, and Venice. Furthermore, it cannot possibly go wrong. . . .

Sadly, however, seconds after its launch it undergoes SMEF, or Spontaneous Massive Existence Failure. And disappears.

Except, everything's got to be somewhere.

Coming home that night, on a little known planet called Earth, Dan and Lucy Gibson find something very large and very, very shiny sticking into their house. . .